When it forms in an uptrend or in resistance levels, it tells you that there is a possibility that the uptrend is ending so you should be looking to go short sell. Vase 2, does not match up exactly to a known Roseville shape, green Hi, this article and the whole blog is a great read. This Chinese snuff bottle community forum is dedicated to the novice, more experienced, and expert collectors. Here is what "Roseville in All Its Splendor" says about the real Experimentals.
This Chinese snuff bottle community forum is dedicated to the novice, more experienced, and expert collectors. Topics are intended to cover all aspects and types of bottle origin of japanese candlesticks. To include trials, tribulations, identifying, candlestucks, and much more. We also freely pour out our pains of spending money, only to later find that our choice in a bottle was not as we expected! There is no extra charge for our "pain management" program! We are also working extra hard towards supporting, and giving well deserved recognition to all new and upcoming student artists of "Very Modern" inside painted bottles.
Among other things, donations help keep the forum free from Google type advertisements, and also make it possible to purchases additional photo hosting MB space. Forum Bottle In The Spotlight! Contemporary Schools Of Inside Paintingby Peter Bentley. Reign Marks on Qing Ceramics Gotheborg's Marks On Chinese Porcelain. The web site Canrlesticks Bottle Collector is a labor of love as an expression of gratitude to and admiration for a group of artists and craftsmen whose concentrated, patient works deserve a world audience.
The International Chinese Snuff Bottle Society. April 17,am. Please login or register. Login with username, password and session length. Pages: [ 1 ]. Some tips on how to identify Japanese cloisonne and distinguish it from Chinese cloisonne. I know for myself, there is much to learn! I thought a good place to start off for this Cloisonne part of the forum would be to touch on the development of cloisonne technology, style, and certain characteristics that will help us make identification possible.
The more we know about both Chinese and Japanese cloisonne, the less likely it is to mistake one for the other, or of lumping candesticks together as "Oriental". If we have a good idea of the basic characteristics of Early and Middle period Japanese cloisonne plus similar knowledge of Ming cloisonne, identification will be possible almost every time.
Chinese cloisonne became somewhat more polished and light reflecting, but less so that Japanese Golden Age cloisonne. Colors intensified to some extent, and some new color schemes and designs were added to the repetitive designs from the past, but the general style and technique of Chinese cloisonne remained, and still remains static. It is perfectly possible that the skill origin of japanese candlesticks the Golden Age artisan, when orifin to the task of imitating late Chinese cloisonne, as well as Ming style wares, could have made wares which are impossible to distinguish from the original.
These Comparisons below of Early period and Middle period Japanese Cloisonne with those of the Ming dynasty Chinese Cloisonne should help take many individual pieces out of that category. Bodies Early and Middle Japanese Origni under If copper, piece is jaapnese in weight than comparable Ming Dynasty piece. Introduction of sheet-copper bodies in early sixteenth century. Fittings Early and Middle Japanese Bronze fittings with gilt overlay, or traces, if piece is in poor condition.
Brass or bronze fittings not necessarily true to Ming designs. Ming Dynasty Chinese Bronze fittings with gilt overlay, or traces if worn. Fittings true to Ming design origin of japanese candlesticks on acnient Chinese bronzes Shapes Early and MIddle Japanese Odd or unusual shapes differing from Ming models common, dandlesticks exact imitations also found. Ming Dynasty Chinese Fidelity to shapes of ancient Chinese bronzes. Most shapes based on Buddhist altar sets, consisting of incense burner, two vases, and two candlesticks, or a set of three objects, and incense burner, a box, and a vase.
Plates, bowls, pilgrim bottles, and pitchers also found. Wirework, Designs Early and Middle Japanese Copper wires, die drawn, showing no unevenness in diameter. No split wires, no solder showing through the japamese. Wires applied with gum, not solder. Separate spring-coil cloisons or cloud cloisons used in background to hold glaze in place. Spring-coil and karakusa tendril-shaped cloisons often used independently to hold monochrome counternamel in place.
Asymmetrical designs or asymmetrical patterns favored. Asymmetry common even in imitation of Buddhist lotus-pattern wares. Ming imitations even more croweded in appearance than Chinese models, with many more motifs from Chinese art appearing on the same piece. Chrysanthemum often replaces lotus. If dragon motif used, three toes depicted. Whimsical or humorous renderings of animals, or odd renderings of subject matter may point to Japanese origin when Chinese style is being imitated.
Landscapes with figures relatively rare in Ming copies; some Middle perioud pieces based on Japanese prints show outdoor scenes. Border of red dots oulined in wire on Japanese cloisonne on identifyhing mark, that, when found on Ming- style pieces in conjunction with other marks of Japanese make, may confirm Japanese origin of japanese candlesticks. Ming Dynasty Chinese Hand formed bronze wires of uneven diameter. Wires sometimes split; solder showing through the glaze.
When deployed over entire piece are part of overall design and color scheme. Separate repeated cloisons of uniform size sometimes utilized in backgrounds. Most pieces fully decorated on all sides and bottoms. Symmetrical designs based on Buddhist lotus pattern, placed symmetrically on objects. Chrysanthemum design or other motifs relatively uncommon. If dragon motif used, four or five toes depicted.
Ming designs limited to Buddhist lotus pattern rarely, chrysanthemum or dragon design. Although mythical animals, such as phoenix, kara-shishi, winged horse, may be found. Motifs based on real animals are confined to the bird family. Some pieces with landscape extant. Borders composed grafici forex red dots outlined with wires are not observed as common, or mentioned by scholars such as Garner or Liu as an identifying motif on Chinese cloisonne.
Glazes Early and Middle Japanese Glazes display infinite color range; many tints, hues, and shaded effects. Many techniques, including transparent glazes, built-up glazes Moriagetea-goldstone, and so on. Ming Dynasty Chinese Color origin of japanese candlesticks and ability to produce shading as in Ming.
Glazes and techniques as in Ming; opaque glazes. Chinese are specialists in openwork. Marks Early and Middle Japanese Japanese marks now more common than Chinese marks, except for the late nineteenth century "Made in China" stamp. Ming Dynasty Chinese Commonly unmarked, or marked "Made in China," after Wares of recent make make seem to be largely unmarked. Facebook My Snuff Bottle Journal. General information about the Site. Another jqpanese special bottle that our fellow collector Pin shared.
The "thousand word" classical text is painted by LI Ruchen with a beautifully shaped bottle of upright rectangular form, and sloping shoulders. Did not know the Japanese made any early snuff bottles. One recorded reference to first possible anuff and snuff bottles was by a CP Thunberg. Saying the while visiting Japan in that snuff in flattened glass bottles was brought there by the Chinese. Although apparently not popular in Japan, and Japanese records of its use are almost nonexistent. I have candlesticms idea what the oldest or first Cloisonne type snuff bottle would have been created.
Not to forget that it may have been the Portuguese who introduced tobacco to Japan in the year I am reading japaneee some more from Bob Steven Book right now. Please select a destination:. Public Forum Categories and Boards. SMF For Free - Create your own Forum. April 17,am. Re: Identify Japanese Cloisonne candlwsticks Distinguish From Chinese Cloisonne.
Origin of Japanese +DNA info 日本人のDNA
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